![]() ![]() 4. ASTRONOMER CAROLYN PORCO WAS ASKED TO HELP DEVELOP THE MAIN CHARACTER.Įllie Arroway, the film's star-gazing heroine, battles occupational sexism throughout the movie. ![]() In both the novel and an early screenplay, the Oval Office is occupied by Helen Lasker: a fictitious two-term commander-in-chief. He could’ve avoided the resultant controversy by following his source material a little more closely. Much to the White House’s annoyance, director Robert Zemeckis used footage of then-President Bill Clinton during key political scenes. 3. IN THE BOOK, AMERICA HAS A FEMALE PRESIDENT. Sadly, we’ll never know what Sagan thought of Warner Bros.’ subsequent movie adaptation as he passed away several months before its release. An instant hit, Contact sold almost 1.75 million copies within two years of its 1985 release. Sagan hadn’t even begun working on the book when Simon & Schuster gave him a whopping $2 million advance for it. Frustrated with Hollywood’s glacial development process, the couple eventually chose to turn their story into a novel. In 1980, they co-wrote the project’s first treatment. Sagan and his wife, Ann Druyan, originally envisioned Contact as a feature film. “ couldn’t have gotten it right and still had the scene work,” deGrasse Tyson conceded, “so they had to do it the way they did.” 2. THE NOVEL MADE CARL SAGAN $2 MILLION RICHER BEFORE HE'D WRITTEN A WORD OF IT. If one could really overtake the radio signals, he argued, “you would hear them in reverse.” Still, the good doctor acknowledges that-for artistry’s sake-everything needed to sound intelligible. We laid out what we liked and said, 'Okay, how can we pass through some of this? How can we combine it together into something visually stunning?’”īrilliant as it is, however, the moment ignores physical law. On the special edition DVD commentary, visual effects supervisor Stephen Rosenbaum recalls getting started by gathering “absolutely incredible” Hubble snapshots of “distant galaxies and stars and other interstellar phenomenon. ![]() Great pains were taken to capture the look of deep space. The completely digital intro lasted for 4170 uninterrupted frames, making it the longest computer-generated shot that had ever appeared in a live-action film at the time. This is one of the most ambitious sequences in cinema history. By the time our galaxy recedes into an endless cosmic backdrop, there’s nothing left but silence. But as the camera pulls back and Earth grows smaller, iconic audio clips that were recorded 20, 30, and even 100 years ago greet our ears-only to fade seconds later. At first, a babel of '90s radio broadcasts nearly deafens the audience. Contact begins with a close-up of our home planet. ![]()
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